The kit is engineered very well and goes together without any fit issues at all. The interior is a little sparse though and benefitted from a few rivets and wires in spots highly visible from the two large hatches. I actually did a fair bit of work on the dual machine gun mount but not much of it is visible on the finished model. I also scratch built a few ammo boxes for the racks. The seats weren't very detailed so I removed them and added some textured ones that I made from Tamiya epoxy putty.
The engine is nicely detailed and the large circular radiator is a gem, though completely invisible when the engine deck goes on. I added some belts and plug wires. I added paint chips and scuff marks with a #32 artist’s pencil and weathered with a wash consisting of Gumbacher Black and Burnt Umber. This subdued the chips and scuffs and blended them into the paint. The scenic base represents a dry well somewhere in Basra Province which is in the south of Iraq on the Iranian border. There are many small wells dotting the desert countryside there. The wells are seasonal and are dry for much of the year (as represented in this scene). We checked them a lot when I was over there because they are used by the insurgents as dead drops and weapons caches. They are hard to spot and you almost have to be right on top of them to find them. They consist mostly of a pile of rocks lining the well shaft and are covered with a piece of plywood or sheet metal and a tarp. Nowadays they use those blue plastic tarps but I imagine back in the day they used canvas tarps. The empty British “flimsies” water cans are from Tiger Model Designs. The water bucket is from the spares box. The only real modification to the kit I did was to cut off and hollow out the radiator cap to represent the vehicle being out of water. The groundwork is a thin layer of Celluclay spread over a 97 cent Wal Mart picture frame. Rocks and sand from my tomato garden were added with white glue. I painted and shaded the groundwork with Tamiya Desert Yellow and Buff. The vegetation is Seafoam and theatrical facial hair. Once the vechile was in place I blended it and the groundwork together with pastels.
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